Artists in Lodge showing art

Artists Andrea Kelland, Graham Brace and Annabel Greenhalgh check out the best spots for their work within one of Bluestone’s Skomer lodges. Also in the frame is Jenna Cleevely, Bluestone fit-out co-ordinator.


Art at Bluestone brings the outside in

 

THREE artists who all draw their chief inspiration from Pembrokeshire’s natural splendor have been selected to showcase their work at Bluestone.

Artwork by Andrea Kelland from Amroth, Graham Brace from Llangwm and Annabel Greenhalgh from Narberth will adorn the walls of the 182 lodges, 30 cottages and 17 studios at Pembrokeshire’s new short break destination, set to welcome its first guests this summer.

“Art and Bluestone are natural bedfellows” says Bluestone commercial director Pamela Joseph.

“It is our wish that a stay at Bluestone will refresh our guests’ inner selves, and we have no doubt that Pembrokeshire’s natural beauty will help do that. Andrea, Graham and Annabel’s work is all about the Pembrokeshire environment, so we felt it entirely appropriate that their pieces should be hanging in our accommodation, as an artistic interpretation and reminder of the beauty around us.”

 

Graham Brace

 

“As a landscape and seascape artist, I can think of no better place to live and work but in the heart of the Pembrokeshire Coast National Park” says Graham Brace.

“The spectacular coast and countryside of Pembrokeshire, and in particular the estuary alongside which I live at Llangwm, provides me with endless inspiration and ideas.”

 

Born and brought up in Milford Haven, Graham studied graphic design at Cardiff College of Art. After working in advertising in London for eight years, he returned to Pembrokeshire and ran a graphic design and advertising consultancy for over 20 years.

It wasn’t until the turn of the millennium that Graham took up painting and drawing seriously. He now works as a full-time professional artist and illustrator producing landscape and seascape paintings, and a range of limited edition prints.

 

Although coloured pencil predominates in Graham’s work, he frequently uses a mixture of other media including chalk pastel, watercolour, ink and gouache.

He comments: “I like to draw things precisely and I work from a combination of my own photographs, sketches, notes and memory, while a little occasional artistic licence and improvisation helps complete the picture.

“I am an inveterate observer and I am fascinated by reflections in water, the effects of light, texture and the natural forms and surfaces of trees and rocks. I am drawn to the features within the landscape as much as the wider view itself.”

 

A founder member of the United Kingdom Coloured Pencil Society, Graham has exhibited widely in one-man and group exhibitions throughout the UK, and his work exists in many private collections around the world.

 

Andrea Kelland

 

Andrea Kelland’s work is almost entirely concerned with the coast of Pembrokeshire

and Cornwall .

Born in Carmarthenshire, Andrea  has lived in Pembrokeshire for 12 years, but she hails from a family of South Devon ‘watermen’, so it’s really no surprise that she feels a need to be near the sea and in particular the places that man has helped to shape: the slate and limestone quarries of Pembrokeshire like Porthgain and Abereiddy  and the mines in Cornwall, like Botallack.

 

Andrea has been known for her paintings of sea-pools - looking down through water to the shells and darting fish, and on to its surface at the reflections of limpets, vapour-trails and clouds: a transitory water-world.  Like the Japanese masters who spent a lifetime studying and depicting elements like Fire or Air, Andrea continues to study Water. She observes the light on and in water, its surface tensions and the water movements, either as forceful waves or as gentle ripples, and she studies the reflections on its surface.                                                                                                             

 

This year, Andrea is holding four solo exhibitions on the subject of ‘the power of water’, in Wales and Cornwall. This latest work is more direct, forceful and textured. She lays paint on thick, and sometimes layers the work with glazes .

 

Andrea trained in Painting and Fine Art at Kingston School of Art in the early ‘60’s and has held many exhibitions of her work in Wales and in Devon.  She is a member of the Watercolour Society of Wales and is a highly respected painter in oils and in watercolours.

 

She says: “Even when at art school, I longed to be at the sea’s edge. My degree work then was of figures in big surf. 

“Here in Pembrokeshire, apart from the rugged coast and seas, I really love the Blue Lagoon at Abereiddy : the ruins of the once busy quarry and the wonderful blue/green of its water, which changes continually with the light, or a breeze or by people jumping in and disturbing the surface . I’ve made loads of paintings of it and never tire of its changes.”

 

Annabel Greenhalgh

 

Originally from the Wirral, Annabel fell in love with Pembrokeshire 25 years ago and continues to find the county’s beautiful beaches and countryside a rich source of inspiration.

Working in pastel and oil, Annabel's landscape paintings capture the mood of a piece through careful and accurate attention to the natural landscape, while employing her emotional response to the places she loves.

“I hope to convey, through my paintings, the thrill and foreboding of impending storms, the beach in solitary stillness, memories of bluebell paths and the sheer joy and wealth of fulfilment to be found in the world around us” she says.

Annabel's pastel paintings, largely depicting traditional landscapes of Pembrokeshire, are easily accessible, requiring little interpretation. Her oil paintings have a slightly more impressionistic feel but are still largely based on a realistic portrayal of the local landscape.

Although self-taught, Annabel has been described as the foremost British pastel landscape artist and in her capacity as one of the three British Judges for Landscape Artist International, is frequently asked to assess work submitted for membership. She is also a member of the International Society of Marine Painters. Original work and limited edition prints can be seen at Annabel’s studio.

Home location accommodation facilities activities book now how to book